Song in Japanese
I don’t know *which* video(s) they picked but regarless, this is AWESOME! I’ve entered so many contests of this genre and submitted auditions here and there over the years but I was never picked or chosen for anything. So this is pretty cool =D
The ON AIR Schedule are as follows:
4th Jan.(SAT) 02:10, 06:10, 10:10
I am not sure what UTC means though… its not exactly a timezone but I will just tune in and try to catch (and record) the show any way I can!
The show will be available in live streaming on the NHK WORLD website : http://www.nhk.or.jp/nhkworld/
EDIT: Moonlight Densetsu has finally been added with a bunch of new entries!
You can watch it here! http://www3.nhk.or.jp/nhkworld/songs/aVideo.html?lang=en+1129
Thank you to all of those who took the time to watch my videos – and vote.
I have no clue how or when the winner(s) will be selected – and what we can expect in terms of prizes – but I’ll let you know for sure! ^_^
I learned about this singing contest only 3 days ago and hours away from the submission deadline!
In its second year, “NHK We Love Japanese Songs” let people from outside Japan record little clips of themselves singing the Japanese song of their choice. The clips are then featured on the website for everyone to watch, vote and share.
Last Friday morning, I recorded 3 clips – Moonlight Densetsu, Fuyu no Uta (Kiroro) and Time Goes By (Every Little Thing) and submitted them. Its only this morning that two of my clips were finally published on the website. Funny that they edited them to less than a minute each. When I watched the other entries, most were the equivalent of one verse and one chorus, so most of the songs were about one minute and 30 sec. I based my recordings on that frame as well… Oh well, they kept the best parts so its all good
VOTING is open till December 8th (or one day before for anyone in North America). I am pretty sure the number of votes is not the sole factor in determining a winner but I am sure it can help getting the judges’s attention! We are also only two contestants from Canada and I’d like to be supported by as many Canadians as possible lol!
Click on the images below to go directly to the page!
Enjoy =D (and Thank you!!)
I have wanted to cover that song for the longest time!
I was a fan of the original “fan-made” Papillon Rose anime (~2004) which was a very candid parody of Sailor Moon, Versailles No Bara and Utena. The concept was licensed and a new team created a TV series of 6 episodes. This new anime was poorly received due to the low quality of the animation and a shallow storyline. “Papillon Rose” quickly dissapeared from the radar and was never heard of again.
Just like most people, I did not enjoyed the TV series but I really enjoyed the new and catchy opening theme “Hikari no Kizuna” performed by Kaoru Kido. I kept the karaoke file for almost a decade until I decided that I had the vocal range to finally cover that song properly (I tried many times before but failed to produce satisfying vocals).
It is with a mix of bitterness and happiness that I am releasing my cover of “Perfect-Area Complete!” – opening theme of the anime Baka to Test to Shoukanjuu and originally performed by Jpop singer Aso (Asou) Natsuko.
I recorded the vocals for that song more than a year ago after I was told that this song would be featured on an anime cover remix album.
Time passed by and the life circumstances of the artist in charge of the project changed and it was obvious, despite a very promising song sample, that the song would never be remixed and fully completed for official release. Finding out that the artist had also un-friended me on Facebook few weeks ago was the turning point in my decision to recover these vocals and release the song myself. Afterall, I had worked over 16 hours for the initial recording and mixing of those vocals and I couldn’t just let them sit on a back up drive. I am no fan of unfinished projects and I had to bring closure to that one before moving on.
That being said, I am already working on my next song and have also decided to release the full “enhanced” version of “Sayounara Musume yo”, an original song that was composed last year.
ENJOY!!! (and please, don’t be shy to comment on the youtube link and subscribe to my channel)
I have been a die-hard fan of Sailor Moon since the very beginning. I was fortunate enough to attend the musicals “SeraMyu” back in 2001 and 2002 – but three years later, the musical production was put on indefinite hiatus. I had always promised myself that I would go back to Japan in an instant if they would revive the Sailor Moon musicals. And in early 2013 they finally did, so I returned to the land of the Rising Sun last month with my whole family. Actually, we were *supposed* to travel to Japan sometime in 2013 anyway, as we had won a two-way flight to Japan from Calgary with an Air Canada contest! We just hadn’t picked out dates yet when the new musical was announced. The dates worked out perfectly, and we were able to schedule our two-week long trip to Japan at the same time as the ten-day run of the Sailor Moon musical.
Everything was going according to plan… Until the friend of mine who had purchased our original set of pre-order tickets had a family emergency, and had to leave Japan in a hurry. The tickets were then sent in the mail so we could pick them up later on from one of our family members who was already working in Japan. Days, then weeks went by and the tickets were nowhere to be found. As we arrived and were enjoying our first week in Japan (Osaka, Kyoto…), I grew more and more nervous that our tickets may have been lost in the mail for good. And then back in Tokyo (after the typhoon!), I made the decision that if our tickets were really lost, I had to find a way to attend the show somehow, someway, before we were scheduled to return to Canada. This is why in the early afternoon of Wednesday September 18th, we dropped everything and headed to the Aiia Theater in Shibuya to talk to people there to 1) try to attend a show, hoping it wouldn’t be sold out; and 2) to see if there was anything we could do about our lost tickets.
We arrived at the Aiia Theater and it was obviously closed. But then a few minutes later, a young woman came by and was also waiting around in the parking lot. As it looked like she may perhaps be on staff or crew (!!!) we approached her and asked if she could help… She replied that she was in the cast, and would try to help us out. We asked who she was and she replied that she was… The actor for NEPHLITE! What a shock! Her English was very good, and after inquiring with the staff she explained that tonight`s show was *not* sold out, and that if we would come back one hour before the show, we would easily get tickets. She then introduced us to the actor playing ZOICITE, and they offered to sign our flyer and take a picture with me and my daughter Kara.
Reassured, we then left the theater to spend the rest of the afternoon in Shibuya, which became increasingly busy by late afternoon. We then returned around 5:30 pm to line up at the ticket desk as people gathered for the performance. We were then surprised to discover that Eric, a French Sailor Moon fan that I knew from the early 2000s, was also there at the same time as us! He had already seen the show few days before (and like me, saw previous SeraMyu back in the early 2000s) and was looking to see if he could get more merchandise, as some stuff had sold out the previous nights. We spent the next hour talking about the good old times of Sailor Moon fandom.
When the doors opened, we were first in line and I was able to buy two tickets (one for me, one for my daughter Kara – at 6800 Yen each, OUCH) and made my way inside to buy a few program books, posters and a light stick for Kara.
Eric and Mark left as they had other things to do, and Mark promised to come pick me up after the show. We made our way into the theater – which seemed a bit smaller than the Ikebukuro theater back in the day. We were in Row 19, almost in the back but situated in a way that Kara had no one in front of her, so we had a full view of the stage – and as it happened, a staffer noticed her and was able to get some cushions that would allow her to see even better. As previously told, the show was not sold out. Around us, there was at least 15 empty seats… Kara was the only child in the audience – mostly consisting of older women coming to the show after a day at the office, and a very few non-Japanese. No cosplay or anything like that, although some of the other foreigners were wearing Sailor Moon t-shirts or other memorabilia.
Several reviews of La Reconquista have been posted online already – plus the whole show with subtitles has been shared on torrent and posted on youtube. I would insist that actually *being there* is not the same as looking at it on a computer screen – it is a better experience overall.
So I won’t review or summarize the story of the show but my personal comments would be that I really liked the songs and musics, the costumes and the story. Like most people, it took me a moment to get used to a female Mamoru/Tuxedo Kamen/Endymion but after a while, I didn’t even notice it anymore. There were times where Satomi-Moon’s singing made me cringe a bit but she played a very good Usagi so it was easy to forgive. The acting was never “over-the-top” (as it was in some of the previous SeraMyu) and I really appreciated that. Kara also really enjoyed the show as well, although she was a bit scared when Queen Beryl would act and sing all evil
After three hours, the show ended and we all came out. Members of Yuga Yamato (Mamoru)’s fanclub were there and they patiently waited for her to come out and say their thank-yous and goodbyes – Yamato-san is a member of the Takarakuza all-female theatre troupe and has her own legion of fans beyond this musical. After this, I stood outside with Kara for almost an hour (as Mark was late coming back from the improv workshop he had gone to attend), when suddenly most of the cast came out through the back door. Coro (Nephlite) saw me and Kara, and came to ask if I liked the show and was (obviously) able to get tickets – it was then that the rest of the cast also joined in to say “hi” to Kara and give her a few “high fives”. I was speechless and utterly shocked that they were all there (minus Moon), introducing themselves to me and Kara. Unfortunately (for now), I didn’t have the camera nor a phone so I couldn’t take any photos. I told them that we were from Canada, we really liked the show and we were hoping to be back on Friday, providing we were able to get our original tickets on time. Nephlite asked to add me on Facebook, and then they left as a group. Mark arrived shortly afterwards and we finally headed back to our rental suite, tired but content. I had seen the show once… I could sleep in peace now!
To be Continued…
I had started to work on this cover right before leaving Japan and was hoping to finish the recording and mixing upon my return.
There it is!
Nice challenge to cover such amazing high energy songs like Tears Breaker. This is really this kind of songs that brought me to Jpop in the first place.
I wanted to do this cover for a long time, so I asked my friends Priss (VAA veteran) and Clara (Irulanne & Friends and G-idol winner) to sing the song with me
There are projects that takes time but its all worth it when you see and listen to the final product.
Few months ago, I recorded vocals for a duet with fellow Jpop cover singer “Rae” for the song STARDUST MELODIA, originaly performed by CEUI and used as the second ending of the anime Kyoukai Senjou no Horizon. The song has a nice “Yuki Kajiura” feel to it and I liked the challenge to cover such a difficult song with a seasoned Kalafina cover artist such as Rae.
Meanwhile, I have also auditionned for an Anison Chorus group called the Althaea Project and was accepted along 9 other Jpop cover singers. With my upcoming trip to Japan, I recorded my lines right away and I am really looking forward the group’s first release!
Note that Stardust Melodia is also available for download (see menu above), on Soundcloud and on Rae’s youtube account.